856 individuals have signed the charter so far.
Filmmakers & Artists using film
Right-holders
Film programmers & Curators
Film archivists
Projectionists
DOP & Film technicians
Critics & Writers about film
Academics & Teachers of film
Art & Film students
Film collectors
Producers
Audience members and more

These filmmakers, film archivists, programmers, right-holders, etc. commit themselves to favour photochemical film projection whenever a projectable print is available and to announce it in the programs that they organize.

Filmmakers & Artists using film (363)  
Rosa Barba - Berlin, Germany
Robert Beavers
Serge Bozon - Paris, France
Tacita Dean  - Berlin, Germany
Silvia das Fadas - Vienna, Austria
Nathaniel Dorsky - USA
Raymond Depardon - Clamart, France
Anja Dornieden - Berlin, Germany
Ted Fendt - USA
Robert Fenz - Los Angeles, CA, USA
Morgan Fisher - USA
Alain Fleisher - France
Miguel Gomes - Portugal
Yann Gonzalez - France
Juan David Gonzalez Monroy - Berlin, Germany
Barbara Hammer - USA
Jim Hobbs - St Leonards on Sea, United Kingdom
Peter Hoffmann - Hanover, Germany
Philip Hoffman - Canada
Margaret Honda - Los Angeles, CA, USA
Peter Kubelka - Vienna, Austria

I find your initiative very precious.. As you know, I do not permit my films to be translated into the digital medium, because CONTENT would be lost.

David Leister - United Kingdom
Philippe Lignières - Sète, France
Jonas Mekas - New-York, NY, USA

Everything should be done to ensure that the production of materials and technologies for film-making and film projection exist and are available to all who need it, for our own generation and generations to come, same as is an accepted and honored practice in all other arts.

Avi Mograbi - Israel
Luc Moullet - France
Ben Rivers - United Kingdom
Jean-Claude Rousseau - Paris, France
Martine Rousset - Frontignan, France
Jonathan Rubin - Paris, France
Daïchi Saïto - Montréal, QC, Canada
Guy Sherwin - United Kingdom
JS Shokrian - New-York, NY, USA
Michael Snow - Toronto, ON, Canada

The CHARTER OF CINEMATOGRAPHIC PROJECTION IN THE 21ST CENTURY is an extraordinary document.

Gina Telaroli - New-York, NY, USA
Richard Tuohy - Vic, Australia
Barbara Twist - USA
Els van Riel - Brussels, Belgium
Friedl vom Groeller - Vienna, Australia
Bertrand Mandico - Paris, France
Guillaume Mazloum - Paris, France
Antonio Bizarro Cebola - Noisy Le Sec, France
Boris Lehman, Fondation Boris Lehman - Bruxelles, Belgique
Lichun Tseng - Rotterdam / Lisbon / Taipei, Netherlands / Portugal / Taiwan
Erik Hammen - Seattle, USA
Emilie Berteau - Paris, France
Emma Piper-Burket - Marcola, USA
Chris Chan Fui Chong - Calgary, Canada
Emmanuel Lefrant - Paris, France
Dagie Brundert, Super 8 specialist, eco developer, analogista - Berlin, Germany

Yeah!

Victor De Las Heras - Paris, France
Viktoria Schmid - Vienna, Austria
Jeff Kreines - Coosada, Alabama, United States, United States
Stefano Canapa - Paris, France
Adrian Cousins - London, UK
Sarah Bliss - Montague, Massachusetts , US
John Phillips - Montreal, Canada
Marjorie Lemay - Montréal, Canada
Sarahjane Swan - Edinburgh, Great Britain
Benoît Labourdette, Cinéaste - Paris, France

Les images que nous créons, ce sont des matières, concrètes, tangibles, qu'elles soient argentiques, vidéo ou numériques. Trois espaces matériels différents, pour trois types d'expériences physiologiques différentes en tant que spectateur. La culture que nous défendons, elle est diversifiée, ouverte. Ainsi, il me semble évident qu'il est important, aujourd'hui, de travailler, sans passéisme, à la vitalité des anciennes techniques, car elles nous parlent aujourd'hui.

TsenChu Hsu - Tainan, Taipei

16mm/R8mm/S8mm filmmaker

Anna Kipervaser - Durham, USA

Thank you for doing this. It's the most important thing to do right now!

Nicholas Kovats, Cinematographer Editor - Toronto, Canada
Judith Redding - Philadelphia, United States
Enrico Mandirola, KinoLab - Bogotá , Colombia
Bryan Mckeon - Boston, USA

I would be very sad if super 8 disappeared.

Brecht Andersch - San Francisco, United States

As a filmmaker, film writer, film curator, and projectionist, I affirm that only projected celluloid film can ever be considered cinema.

Michael Morris, Film artist/curator - Dallas, USA
Erik Bullot - Paris, France
Jacques Cauda, écrivain peintre - Paris, France
Bruno Contensou, bcbg - Paris, France
Nicky Hamlyn - London / Brussels, UK / Belgium

Film should always be shown in its proper format, whenever possible.

Christian Lebrat - Paris, France
Joseph Irvin - Divide, CO, United States

Nothing beats the real thing!

Camilo Restrepo - Paris, France
Nicolas Rey - Paris, France
Dominique Collignon - France
Antoni Pinent, Filmmaker / Art-Film Curator - Venezia, Italia
Elena López Riera - Paris, Francia
Juan Soto - London, UK
Pierre Coulibeuf - Paris, France
Leire Apellaniz López, Directora y Productora - San Sebastián, España
Helga Fanderl - Berlin, Allemagne

VIVE LE FILM EN TANT QUE FILM, VIVE SA BEAUTÉ, VIVE SA MAGIE!

George Clark - London, United Kingdom
Bernd Lützeler - Berlin, Germany
Mariagiovanna Nuzzi - Turin, Italy
Mario Hamad - London, UK
Claus Harding - Washington DC, USA
Jean-Claude Mocik, Recherche & Développement - La Plaine Saint Denis, France

Mes recherches artistiques m'amènent à déclencher une caméra argentique quotidiennement depuis plus de 25 ans. En dehors de la difficulté de trouver de la pellicule et un labo, la question de l'exploitation de cette longue série d'images devient désormais problématique. A son origine, ce travail était mené en 16mm, aujourd'hui il se poursuit en 35mm. Diffuser en argentique, 16 ou 35, oblige à restaurer et entretenir des projecteurs film.

Alethea Pape - Monticello, United States of America
Robert Todd - Boston, MA, United States
Kiro Russo, Director - La Paz, Bolivia
Pablo Mazzolo - Buenos Aires, Argentina
Roger Beebe - Columbus, Ohio, USA
Martin Verdet - Montreuil, France
Madi Piller - Toronto, Canada

Je fais aussi la programmation et j'offre un espace avec de projection 35mm (portable),16mm, S8mm

Ethan Berry, Director ANYEYE film lab, USA - Beverly, MA, USA

I also teach Experiemental Film. In a Bachelor of Fine Arts program.

Alex MacKenzie - Vancouver, Canada
Margaret Rorison - Baltimore, United States
Philip Widmann - Berlin, Germany
Bea Haut - London, UK

I only allow my very short 16mm films to be projected as film.

Daniel Torres - Bogota, Colombia
Cris Miranda - Rio de Janeiro , Brasil
Gabriele Horndasch - Düsseldorf, Allemagne
Evan Raymond Spitzer - Chalfont, Pennsylvania, USA
Katherine Bauer - Hudson, USA
Gautam Valluri - Paris, France
Anita Serrano - Barcelona, Spain
Erik M - Marseille, France
Moira Tierney - Dublin, Ireland

http://moiratierney.net/

Antoine Larocque - Victoriaville, Canada
Eugénie Kuffler, Compositrice - Paris, France
Sebastian Brameshuber - Vienna, Austria
Mariette Michaud - Bruxelles, Belgique
Alberto Anglade, Revista Lumière - Madrid, España
Amanda Thomson - Vancouver, Canada
Colin Brant - Oakland, United States

Filmmaker, Projectionist, Inventor/Tinkerer

Hélène Martin - London, United Kingdom
Stefan Grabowski - Boston, USA
Carole Grand - Montreuil, France
Lena Ditte Nissen - Berlin, Germany
Jerry Tartaglia - Oley, PA, USA
Natalia Kozieł - Helsinki, Finland

http://www.nataliakoziel.pl/EN/home.html

Izabella Pruska-Oldenhof, and Academic / Teacher of film - Toronto, Canada
Kathryn Ramey - Boston, MA, Unites States
Jessica Johnson - Vancouver, Canada
Philippe Leonard - Montreal, Canada
Lucas Lazzarotto, Image - Bruxelles, Belgique

Ayant découvert, appronfondi l'importance de la pellicule et du support argentique à l'Etna Paris, je suis convaincu par toutes actions visant à le perpétuer à le transmettre et à le protéger.

Heikki Repo - Tampere, Finland
Dan Browne - Toronto, Canada
Julie Murray - Iowa City, USA
Baba Hillman - Amherst, U.S. and France

working with Hampshire College film program and Hampshire Super 8 course in Paris

Tomaž Burlin, L'Etna - Paris, France
Dr. Janeann Dill, D.Phil. - Boston, Massachusetts , USA

Felicitations!!! Dr. Dill

Dominik Lange - Paris, France

Que vive la pellicule cinématographique !

Leanora Olmi - St Kilda East, Australia
Miki Ambrozy, Labo BXL, membre - Bruxelles, Belgique
Lida Giannouklidi - Athens, Greece
Benjamin Taylor - Montreal, Canada
Carlos Muguiro - Elbete-Baztan, España
Lindsay McIntyre, handmade emulsion - Edmonton, Canada
Possek Maxime - Lyon , France
Dana Rayment - Edmonton, Canada
Alexandra Gelis - Toronto, Canada
Olivier Buchet, l'Abominable - Paris, France

Le support argentique possède une richesse de matière vivante inégalable qui mérite encore d'être explorée et partagée. Il nous en reste beaucoup à découvrir sur ce support.

Marie-Odile Sambourg - Paris, France
Stéphane Courcy Di rosa - Paris, France
Antoine Siboun - Paris, France
Björn Kämmerer - Vienna, Austria
Carole Thibaud, LumaLuma - Le Pallet, France
Schtinter Schtinter - London, United Kingdom
Oliver Laxe - A Coruña, España
F.J. Ossang - Paris, France
Katja Pratschke - Berlin, Germany
Gad Hollander - London, United Kingdom
Raul M Candela, Laboratorio reversible - Barcelona, Spain
Andrés Farías Cintrón - Santo Domingo, Dominican Republic
Josephine Massarella - Hamilton, Canada
Jeanne Delafosse - Paris, France
Pablo Marin - Buenos Aires, Argentina
Aditya Martodiharjo - Jakarta, Indonesia
Luis Macias - Barcelona, España
Erin Vassilopoulos - Brooklyn, United States
Marie Losier, Filmmaker - Paris, France
James Edmonds, / Light Movement film series - Berlin, Germany

Film as Film!

Will VanKoughnett - Washington, D.C., USA
Sam Hoolihan - Minneapolis, United States
William Beasley, Director - South Lake Tahoe, United States
Nick Collins - Lewes, UK
Shai Heredia - Bangalore, India
Barbara Sternberg - Toronto, Canada

There is nothing like film!

Mont Tesprateep - BKK, Thailand
Michael Palm, Director of the documentary "Cinema Futures" - Vienna, Austria
Kristin Reeves - Murray, Kentucky , USA
Deborah S. Phillips - Berlin, Germany

works with different materials, incl. 16mm

Shumona Goel - Bombay, India
Jean-Jacques Martinod - Guayaquil, Ecuador
Antonio Ponciano Wong Wesche, Fotógrafo - Iquitos, Perú

Tanto la Fotografía como la Cinematográfica van de la mano...se debe preservar el uso de película en ambos casos ya que la magia y el arte son parte de ella. El arte lo pone cada uno de nosotros que trabajamos en este soporte, la magia comienza en fotografía cuando aparece la imagen en el papel, y en el cine comienza cuando se proyecta la cinta a 24 cuadros por segundo.

David Hansenne - Gand, Belgique
Emmanuel Falguieres, Work at the run-artist labs l'Etna and l'Abominable (FRANCE) - Paris, France
Igor Dimitri - Lisbon, Portugal
Aurélie Percevault, Mire - Nantes, France
Alexandre Masotti, 3rd World super8 Live Cinema as piece of resistance - Pelotas , Brazil

Super8 Micro venues Live Cinema as a life goal to free expression

Goran Barac - Banja Luka, Republika Srpska - Bosnia&Herzegovina
Julien Mondon - Paris, France
Maia C Carpenter - San Francisco, United States
Nilanjan Bhattacharya - Calcutta, India

Makes films and writes on biodiversity and related knowledge, food cultures, and Calcutta's public culture. It's a great endeavour! All The Best.

Shannon Harris - Montreal, Canada
Julie Sandor - Bruxelles , Belgique
Laure-Anne Bomati - Nantes, France
Marie Drouet - Nantes, France
Camille Degeye - Paris, France
Kaya Erdinc - Maastricht, The Netherlands
Ieva Balode, Filmmaker, film curator - Riga, Latvia
Siegfried A. Fruhauf - Vienna, Austria
Khristine Gillard - Bruxelles, Belgique
Anaïs Ibert, L'Abominable - Paris, France
Georgy Bagdasarov - Prague, Czech republic
Brittany Gravely - Boston, MA, USA
Luisa Greenfield - Berlin, Germany

Just starting using film as a medium but I'm all in !

Albert Triviño Massó, Above all (super 8) filmmaker - Barcelona, España
Gustavo Jahn - Berlin, Deutschland
Noah Teichner - Paris, France
Silvi Simon, Burstscratch - Strasbourg, France
Valérie Villaume, Trace . Project - Gennes - Val de Loire, France
Eva Houdova, Eva Houdova - Bruxelles, Belgique
Daniel McIntyre - Toronto, Canada
Ivan Boccara, Les films comme ça - Tanger, Maroc
Alexandra Moralesová - Prague, Czech Republic
Ezequiel Reyes, Archivo Reyes - Mexico City, Mexico

Considero a la película como uno de los patrimonios principales de la humanidad y uno de los soportes más estables y duraderos para contener imágenes fijas y en movimiento. Filmo, archivo y colecciono imágenes en movimiento en fílmico porque creo que son parte de la memoria colectiva de la humanidad

Iwan Coïc - Ploneour Lanvern, France
Natacha Zervas - Paris, France
Ross Meckfessel - New York, United States
Florent Ruch - Colmar, France
Sébastien Ronceray - Paris, France
Eric Rondepierre - Paris, France
Mark Rappaport, Cineaste/videoaste - Paris, France
Bernard Sarrut, Collectif Jeune Cinema - Paris, France
Patricia Venti - Paris, France
Judith Abitbol - Paris, France
Eric de Kuyper - Kranenburg, Germany

Film projection should be in theatres, not museums! In a museum you are a vistor; in a theatre you are an audience!!! I am not at all interested in art experiments à la Tacita Dean! Or the installations a filmmaker like Chantal Akerman was 'obliged' to do...

Maria Kourkouta, L'Abominable & L'Etna - Paris, France
Chris O'Kane, Coordinator for the Projected Picture Trust in Scotland. - Glasgow, Scotland

Still creating images with film and projecting film. Film is the medium of the great masters. It should always be available as an artists medium. It is a major part of human culture.

Pam Minty - Portland, United States
Aman Wadhan, 16mm practitioner - Chandigarh, India
Tomislav Jancar - Paris, France
Florence Freitag, Curator of Screendance - Berlin, Germany
Mary Helena Clark - Hamilton, USA
Christopher Becks - Montreal, Canada
Guillaume Anglard, L'Etna - Gentilly, France
Michela Monte - Rimini, Italy
Martín Molina Gola - Mexico, Mexique
Renata Mohamed - Toronto, Canada
Nathalie Nambot - Paris, France
Samuel M. Delgado - Madrid, España
Helena Girón - Compostela, España
Ian Farber - NY, USA
Chema García Ibarra, Filmmaker - Elche, España
Florence Pezon - Paris, France
Jérémy Gravayat - Paris, France
Yann Sarris - Gagny, France
Jade Gomes, Collectif Louise - Ivry Sur Seine, France
Dimitar Kutmanov - Sofia, Bulgaria
Peter Tscherkassky - Vienna, Austria
Frederique Menant - Montreuil, France
Claire Angelini - Munich, Allemagne
Sonam Chaturvedi, Artist - Baroda, India
Estelle Fredet - Paris, France
Perrine Michel - Montreuil, France
Grégory Marza - Montreuil, France
Beau House - Vancouver, Canada
Cláudia Cárdenas, Duo Strangloscope - Florianopolis, Brazil
Rafael Schlichting, Duo Strangloscope - Florianópolis, Brasil
Alfonso Cruz Jimenez - Copons, España
Steven Woloshen - montreal, Canada
Tomas Astudillo, Ostinato Cine - Quito, Ecuador
Quentin Bouton - Saint Pierre des Corps, France
Clara Pons - Bruxelles, Berlin, Wien, Belgique
Alaa Mansour - Paris, France
John Ziniewicz - Malden, MA, United States
Mansour Khedimallah - Chebba, Tunisie

j'aime pouvoir filmer en argentique et voir mon film projeté en cabine. sinon j'espère pouvoir profiter de ma nouvelle aventure de programmateur pour assurer des projections sur le support historique

Mirabelle Freville - Rennes, France
Charles-André Coderre - Montréal, Canada
Carola Spadoni - Rome, Italy
Agustin Gimenez - Valencia, Espana
Emmanuel Piton - Rennes, France
Johann Lurf - Vienna, Austria
Cédric Venail - Paris, France
Laëtitia Foligné - Rennes, France
Thomas Mank, Experimental Filmmaker and Designer - Berlin, Deutschland
Tom Gagnaire - Paris, France
Quentin Brière - Paris, France
Nicolas Juge - Athènes, Grèce
Pierre Leon - Paris, France
Thomas Chatard, Mire Laboratoire - Nantes, France
Markus Maicher - Vienna, Austria
Anna Salzberg, Etna / l'Abominable - Paris, France
Rose Lowder - Avignon, France
Iary Seven - New York , US
Alexandre Kalogeropoulos - Paris , France

Tuer l'Argentique c'est tuer le Cinéma. Le libéralisme, la pensée pour le marché, qui impose le numérique hors de toute considération artistique. Si le Cinéma meurt, c'est qu'on l'assassine.

Jacky Canet - Montsûrs, France
Deborah Humm, Experimental - Ashford, United Kingdom

Articulating miscommunication between brain and body.

Éric Carlier, Oundawa - Les Lilas , France
Serge Sébéo - Marly-le-Roi, France
Max Belmessieri, Association Personne Ici - Champigny sur Marne, France
Mathilde Boé, L'ouvre-champ, association cinéma tous azimuts - Vignevieille, France

A travers des ateliers de projection en 8mm auprès des jeunes, de fabrication de jouets optique, de grattage sur pellicule, rendre le cinéma et sa magie accessible à tous...

Gabe Klinger - Chicago, USA
Shireen Seno - Quezon City, Philippines
Jippy Pascua - Quezon City, Philippines
Stéphan Guéneau, Light Cone/Mire/L'Abominable - Paris, France
Stefanie Weberhofer - Vienna, Austria
Véronique Parente - Paris, France
Yoana Urruzola - Montreuil, France
Paul Abhijeet, first time filmmaker interested in philosophy, technology, and nature - Albany, United States

I cannot think of a more progressive charter than this one !

Reine Graves - Paris, France
Wendy Evan - Brussels , Belgium
Mika Taanila - Helsinki, Finland
Peter Zach - Berlin, Germany
Arturo Solis di Miele, Fotografo - Bruselas, Bélgica
Gerd Kroske - Berlin, Germany
Lucia Moreno - Madrid, Spain
Claudio Caldini - Buenos Aires, Argentina
Michael Lyons - Kyoto, Japan
Regina Khanipova - Barcelona, Spain
Andres Jurado, Member of Kinolab Colombia - Bogotá, Colombia

Member of Kinolab Colombia founded by Enrico Mandirola

Carla María Gratti - Caba, Argentina
Messaline Raverdy - Bruxelles , Belgium
Esperanza Collado, Lecturer (graduate and postgraduate levels) - León , Spain

here is my personal manifesto www.esperanzacollado.org/WRITING/Things_Said_Once.pdf

Manuel Ferrari - Buenos Aires, Argentina
Álvaro Merino - Logroño, España
Miguel Faus - Londres, Reino Unido
Luis Hidalgo - Madrid, Spain
Sebastian Eklund - Stockholm, Sweden
Diego Pinilla Manrique - Bogotá, Colombia
David Santos - Madrid, España
Rob Butterworth - Whitby, Canada
Claudiu Cobilanschi, artist - Bucharest, Romania
Diego Cepeda - Santo Domingo, Dominican Republic
Karl Walden, Programmateur, réalisateur - Lille, France
Graeme Hogg - Bristol, UK

www.nachleben.org

Adrien Roche - Goa, India
Alina Natyam - Vienna, Australia
Sophie Watzlawick - Berlin, Allemagne
Bénédicte Pagnot - Rennes, France
Iñaki Sagastume - San Sebastian, España
Francois Cochin - Flers, France
Melissa Dullius - Berlin, Germany
Travis Chittom - Bad Homburg, Germany

Thank you all for preserving this unique 20th century art form that should, and WILL, live through the ages.

Aude de Laforcade, membre de la Scam - Lyon, France
Maxim Stollenwerk - Brussels, Belgium
Leah Millar - Newcastle Upon Tyne, United Kingdom
Telemach Wiesinger - Riegel am Kaiserstuhl, Allemagne / Germany / Deutschland

www.telemach-wiesinger.de

Frédérique Devaux - Paris, France
Olivier Fouchard, Labominable - Rives, France

Bonjour...

Johannes Gierlinger - Vienna, Austria
Paul Kuimet, Paul Kuimet - Tallinn, Estonia
Claude Bansard - Aix en Provence , France

Pour que vive encore longtemps ce merveilleux patrimoine artistique cinématographique et technique du fil de la vie de plus de 100 ans. Conservons, retrouvons, restaurons, diffusons

Deborah Stratman - Chicago, USA
Marc Johnson, artist as archaeologist, artist as architect, artist as archivist, artist as artist, artist as biologist, artist as curator, artist as éclaireur, artist as ethnographer, artist as explorer, artist as filmessayist, artist as filmmaker, artist as historian, artist as kunstler, artist as necromancer, artist as scribe, artist as seismograph, artist as … - Sceaux, France

Personne ne lira cette case, mais je propose de racheter Kodak collectivement...

Helena Estrela - Porto, Portugal
Jim Fetterley - Los Angeles, USA
Guillermo Zabaleta, Laboratorio de cine - FAC - Montevideo, Uruguay
Carlo Piaget - Bienne, Switzerland
Laura Phillips - Bristol, UK
Paul Maguire - Edinburgh, Scotland
Elodie Rassel - Paris, France
Pablo Lepetit - Bordeaux, France
Floris Vanhoof, www.florisvanhoof.com - Antwerpen, Belgique
Saeed Nouri - Teheran, Iran

As an archivist film-maker I do like to join this mouvement.

Pilar Falco - Rotterdam, Nederland
Paula Vélez Bravo, Cineasta - Paris, France
André Guedes - Lisbon, Portugal
Alexandre Larose - Montréal, Canada
Eugeni Bonet - Sant Feliu de Guíxols (Girona), Espanya
Kathleen Rugh - Brooklyn, USA
Christine Lucy Latimer - Toronto, Canada
Sandy McLennan - Port Sydney, Canada

mainly shooting and printing Regular 8mm and Double 8mm

Chuso Ordi, Artista - Barcelona, España
Lilian Robl - Munich, Germany
Eva Claus - Brussels, Belgium
Anna Thew - London, UK
Erin McCuskey, Moving image artist - Ballaarat, Wadawurrung Country (Australia)
Miguel Puertas - Las Negras - Níjar, España
Film programmers & Curators (92)  
Alexey Artamonov - Saint-Petersburg, Russia
Louis Benassi - London, United Kingdom
Nadine Bors - Dresden, Germany
Vassili Bourikas - Athens, Greece
Paolo Cherchi Usai, Senior Curator, George Eastman Museum - Rochester, NY, USA
Pïp Chodorov - Seoul, Korea
Karel Doing - London, United Kingdom
Gareth Evans, Whitechapel Gallery - London, United Kingdom
Bertrand Grimault - Bordeaux, France
Geneviève Houssay, chargé de mission cinéma au Mucem - Marseille, France
Chris Kennedy - Toronto, ON, Canada
Kate MacKay, Berkeley Art Museum and Pacific Film Archives - Berkeley, CA, USA
Kim Knowles - United Kingdom
Olaf Möller - Köln, Germany
Marie-Pierre Müller-Duhamel, film programmer and translator - Paris, France
Aily Nash - New-York, NY, USA
Andréa Picard - Toronto, ON, Canada
Rachael Rakes - New-York, NY, USA
Bérénice Raynaud - Los Angeles, CA, USA
Federico Rossin - Paris, France
Katia Rossini - Bruxelles, Belgique
Tooth - Oakland, CA, USA
Erwin Van’t Hart, Rotterdam Film Festival - Rotterdam, Netherlands
Oona Mosna - Windsor, ON, Canada
Miles McKane - Nantes, France
Bernd Brehmer - München, Germany
Mariya Nikiforova - Paris, France
Isabella Tommaso - Milan, Italy
Pauline de Raymond - Paris, France
Gonzalo de Pedro Amatria - Madrid, España
Ulrich Ziemons - Berlin, Germany
Olivier Pierre, cinéma L'Écran - Saint-Denis, France
Tom Brauner, Festival International du Documentaire Étudiant - Paris, France
Gerald Weber - Vienna, Austria
Stefanie Schulte Strathaus - Berlin, Germany
Beatriz Leal-Riesco - Philadelphia and Pamplona, USA and Spain
Francisco Algarín Navarro , Revista Lumière - Sevilla, España
Christophe Guérin, MuMaBoX - Le Havre, France
Marie-Claude Benard, autour de la terre - Paris, France
Brent Klinkum - Caen, France
Rafael Castanheira Parrode - Goiânia, Brasil
Sergio Fant - Trento, Italy
Ute Mader - Leverkusen, Germany

Kommunales Kino Leverkusen International Film Festival Innsbruck, Austria

Si Edwards, Film festival print traffic - Cork, Ireland
Laurence Barbier, Burstscratch - Strasbourg, France
Ignacio Manuel Fernández - Almería, España
Alice Riva, Cinéma Spoutnik - Genève, Suisse
Gary Vanisian - Frankfurt am Main, Germany
Maša Peče - Ljubljana, Slovenia
Dietmar Schwaerzler - Vienna, Austria
Jurij Meden - Rochester, USA
Daniel Siemaszko, Cinéma Spoutnik - Genève, Suisse
Nora Molitor - Berlin, Germany
Cecilia Barrionuevo, Mar del Plata Film Festival - Buenos Aires, Argentina
Eli Horwatt - Hamilton, USA
Michelle Carey - Melbourne, Australian
Doreen Mende - Berlin / Geneva, Germany / Switzerland
Severine Petit - Torino, Italia
Angel Rueda - A Coruña, Spain
Marco Mueller, Academic/Teacher of film - Lugano, Switzerland

Vive l'Internationale du Splendeur de la Pellicule!

Carlo Chatrian, artistic director, Festival del film Locarno - Roisan, Italy
Jesse Cumming - Toronto, Canada
Alessandro Raja, Programmer Sarajevo Film Festival - Paris, France
Michael Seeber - Klagenfurt, Österreich
Sophie Mirouze, Festival International du Film de La Rochelle - La Rochelle, France
Emmanuel Gibouleau, Le Cinématographe - Nantes, France
Leonardo Pedrosa - Porto Alegre, Brasil
Marcos Uzal - Paris, France
Eric Miot, Arras Film Festival - Arras, France
Yaron Golan - Glasgow, UK
Massimo Benvegnu - Amsterdam, Netherlands
Julio Lamaña Orozco, Federació Catalana de Cineclubs - Barcelona, España
Boris Monneau - París, Francia
Alisson Avila - Porto Alegre, Brazil
Igor Prassel, Film Curator at the Slovenian Cinematheque - Ljubljana, Slovenia
Gerhard Protschka, Director of www.lookandroll.ch - Basel, Switzerland
Daniel A. Swarthnas , Turbidus Film - Stockholm , Sweden
Elena Duque, Programmer (S8) Mostra de Cinema Periférico, A Coruña - Puerto de Santa María, Spain
Madi Piller, filmmaker - Toronto, Canada

my space www.PIX FILM.ca is listed under Other It is also and exhibition space with 35mm, 16mm, Super 8mm, 8m projection capabilities and sits 40 people

Martín Cuesta Gutiérrez, Festival Internacional de Cine de Gijón - Gijón, España
Enrique Piñuel Martín - Madrid, España
Gonzalo de Lucas, CCCB / Universidad Pompeu Fabra - Barcelona, España
Stefan Ramstedt - Stockholm, Sweden
Julia Gouin - Paris, France
Sébastien Demeffe, Cercle du Laveu - Liège, Belgium
Guillaume Poulet, Cinémathèque de Nice - Nice, France
Karl Wratschko, Filmmaker using film - Vienna, Austria
Victor Courgeon, Cinéma Jean Eustache - Pessac, France
Arindam Sen, Cinema Parenthèse - Brussels, Belgium
Angela López Ruiz, MVD Cine Experimental - Montevideo, Uruguay
Gloria Vilches, Xcèntric, el cine del CCCB - Barcelona, España
Salti - Paris, France
Film archivists (53)  
Francesca Bozzano, Chargée de projets aux collections : La Cinémathèque de Toulouse - Toulouse, France
Béatrice de Pastre, Directrice des collections du CNC - Bois-d'Arcy, France
Andrew Lampert - USA
Philippe-Alain Michaud, Conservateur aux collections cinéma MNAM-GP - Paris, France
Céline Ruivo, Directrice des collections films, Cinémathèque Française - Paris, France
Mark Toscano, film preservationist, curator, and filmmaker - Los Angeles, CA, USA
David Tucker, UCLA Film & Television Archive - Los Angeles, CA, USA
Jean-Pierre Verscheure, Cinevolution.be - Mons, Belgique
Tania L. Espinal , Restauradora - México, México

Soy restauradora de bienes muebles, quiero especilizarme en material fílmico, ahora laboro en Cineteca Nacional(MX) y formo parte de un colectivo de cine expandido.

Dave Rodriguez, Archivist and Projectionist - Tallahassee, United States

Full spiritual and professional support

Tillyan Bourdon, Technicien archiviste à La Cinémathèque de Toulouse - Toulouse, France
Michael Ramos Araizaga, Permanencia Voluntaria Archivo Cinematográfico - Ciudad de México, México
Jeanne Pommeau - Prague, Republique Tchèque
Paul Gordon, Film Conservator Library and Archives Canada - Ottawa, Canada
Rachael Stoeltje - Bloomington, indiana
Stephanie Berrington - Winnipeg, Canada
Daniel Borenstein, Chef du service Laboratoire/Restauration au CNC - Bois d'Arcy, France
Marie Chauveau, INA - Paris, France
Tiphaine Rault - Paris, France
Hila Abraham, Film Archivist - Israel Film Archive / Jerusalem Cinematheque - Tel Aviv, Israel
Yves Gaillard, Institut National de l'Audiovisuel - Toulouse, France
Robert Lemos - Los Angeles, United States
Mateus Nagime, Associação Brasileira de Preservação Audiovisual (ABPA) - São Paulo, Brazil
John Morton - Knoxville, USA
Miguel García-Gonzalez, Santa Elena Cinema Company - Murcia, España
Loubna Régragui, Film Preservationist & Film Restorer - Paris, France
Christophe Bichon, responsable of the collection, Light Cone - Paris, France
Manuela Costa - Rome, Italy
Antoine Dulaure, Perfect Memory - Chamalières 63, France
Marcos Stankievicz Saboia, Cinemateca de Curitiba - Curitiba, Paraná
Lana Martires - Rio de Janeiro, Brazil
Eric Le Roy, CNC - FIAF - Paris, France
Emanuela Mendes Andrade - Salvador, Brasil
Pavezi Neiva, Arquivista UFSM - Santa Maria, Brasil
Laurent Mannoni, Cinémathèque française - Paris, France
Camila Silva, Master's degree in Arts, historian and archivist - Belo Horizonte, Brasil
Emilie Cauquy - Paris , France
Nicolas Ricordel - Bois d'Arcy, France
Hervé Pichard - Paris, France
Brian Meacham, Archive & Special Collections Manager, Yale Film Study Center - New Haven, CT, USA
Jenny Gallego, Filmmaker / Film Conservator - London, UK
Nere Pagola Mikeleitz - Donostia, España
Daniel Valdez Puertos, UNAM - CDMX, México
Laura Gomez, Conservator & Restorer - Ciudad Autónoma de Buenos Aires, Argentina

Falta la categoría Conservadores y Restauradores. necesita mas difusión en las redes. Organicen una twiteada mundial con el #filmprojection21 !!!! Lo comparte en facebook: @preser.av.argentina. un abrazo

Henry Caicedo - Bogotá, Colombia
Amit Patil - Rochester, New York, USA
Mark McElhatten, Film Archivist/Curator - Filmaker - New York, U.S.

Shahed Dowlatshahi, Graduating from the Moving Image Archiving and Preservation (MIAP) at NYU in 2018 - New York, United States

For me, there is no replacement for the unique experience of seeing moving images projected on film in a dark theatre, especially if they were originated to be experienced in that form. For this reason, I sign this charter and will try to do my part in keeping film projection alive!

Gaetan Koch - Le Havre/Strasbourg, France
Christophe Dupin, Senior Admnistrator of the International Federation of Film Archives (FIAF) - Brussels, Belgium
Hans van der Kraan, Specialist Apparatus Collection Eye Film Museum - Amsterdam, Netherlands
Ariane Baudat - Cambridge, United-Kingdom
Patricia Ledesma Villon, Archivist and Assistant Curator, Moving Image, Walker Art Center - Minneapolis, MN, USA
Projectionists (80)  
Jacob Barreras - Boulder, CO, USA
Cécile Plais - Paris, France
David Bernagout - Paris, France
Davide Borghini - Vaugines, France
Gilles Chétanian, le Brady - Paris, France
Robert Haag - Berlin, Germany
Erik Kruka, Head Projectionist, TIFF - Toronto, Canada
Ian Parfrey, User, Collector and Restorer of Film Projection Equipment and Film Photographer - Bollier, Australia

Dedicated to keeping the legacy of motion picture film, and still image film, alive.

John Lewis - Port Charlotte Florida, USA
Sebastien Aubert - Romilly Sur Andelle, France
Jules Vaschetti - Versailles Agglomération, France
François Vairon - Caen, France
Chloe McLaren - Ithaca, NY, USA
Stéphane Wagneur - Paris, France
Stéphanie Bousquet, Cinéma ABC, La mangeuse de pelloch' - Toulouse, France

Because it's full better

Maurice Locquin - Crest, France
Christophe Raclet - Rennes, France
Yaël Lamglait - Paris, France
Samuel Andrade - Lisboa, Portugal

Film forever!

Andy Jenkin - London, UK
Polona Kuzman - Nijmegen, The Netherlands
Antoine Ledroit, Mire - Clisson, France
Christopher Mondt, Super8 to 70mm projection - Hamburg, Germany

http://filmprojektion.de/start/

Bertrand Cellier, opérateur / Méliès Saint-Étienne - Saint-Étienne, France

Que vive la Pellicule !

Ortal Sasson - Tel Aviv, Israel
Céline Picard, Cinépelloche - Paris, France
Devin Janeway - Fortson, United States
Jamie Thomas Baldys - Astoria, United States
Dennis Markaverich - Wilton, United States of America

We operate a small town movie theater in southern New Hampshire and we strive for as near perfect projection as the technology allows. The Wilton Town Hall Theartre has been in existence since 1912 and we have seen the dawn of sound, the saving grace of CinemaScope and Stereophonic Sound ... Dolby Stereo .. and the unfortunate advent of Digital Projection.. however in all cases we remain capable of showing all screen ratios from 1:33 to 1.85 to 2:1.. to 2.55 and 2.35 .. to 2:20 and even 2.76 (for ultra-panavision (thanks to a variety of primary attachments on our CinemaScope projector lenses. We do our best!!!!

Anne Lopez - Blagnac, France
Carlos Melendez - Lakeview, Michigan US
Fabrice Davaze - Paris, France
Teemu Kauppi - Jyväskylä, Finland
Spencer Christiano, Chief Projectionist, George Eastman Museum - Rochester, NY, USA
Charles Brown, Ex chief projectionist - Colchester, UK.
Olivier Brulais - Paris, France
Eduardo Cesar Gomez, coordinador de microcine INCAA - Buenos Aires, Argentina

EXCELENTE idea , aqui en BS AS ademas de trabajar como proyeccionista jefe, dicto cursos de OPERADOR CINEMATOGRAFICO, en la ENERC (ESCUELA DEPENDIENTE DEL INCAA- (ESCUELA NACIONAL DE CINE) El curso que se dicta es sobre la teoria y practica de la proyeccion en material fuilmico.

Jérémy Chevalier, Cinéma Spoutnik - Genève, Suisse
Sylvain Bich - Aubenas, France
Thierry Duclergue - Toulouse, France
Don Carter - Bradford, UK
Renaud Gombrowicz - Paris, France
Clément Papot - Nantes, France
Mirjam Bromundt - Vienna, Austria
Franck Aubin - Nantes, France
Xavier Pichonnat - Toulouse, france
Adrien Kassis - Paris, France
Gwenael Euzen, Cinéma Jacques Tati - Tremblay-en-France, France
Lucas Le Baron - Angers, France
Aitziber Olaskoaga, California Institute of the Arts (Proyeccionista y estudianta) - Valencia, California, EEUU
Lotta Fuzz - Amsterdam, Netherlands
Thierry Collin - Montreuil, France
Maxime Greslé - Paris, France
Edmundo Celaya - Juchitán, México
Peter Sprenger, S8 - 16 - 35 - 70 - Landau in der Pfalz, Germany
Barrie Gilbert, Cinema Projectionist for 51 years now owner operator of Curzon Country Cinema - Tadworth, United Kingdom

Film must not ever be forgotten, not only because of its place in history, but also for the memories of the ordinary man in the street that it played a huge part in their lives when the cinema was a part of everyday life..Why is a digital movie still called a "FILM"!

Peter Knight - London, UK
Alexa Raisbeck, 8mm/16mm/35mm/70mm and 15/70 - London, UK

I am also a film artist working with celluloid, a PhD student working on a thesis based on film projection and an academic teaching film/art.

Guillaume Launay - Beaumont en Véron, France
Benoit Joubert - Grenoble, France
Eduardo Cesar Gomez - Caba, Argentina
Romain Lançon, Cinéma La Fauvette - Bagnolet, France
Amy Epperson, Projecting and programming at Oregon's only student-run cinema - Portland, United States
Elise Rosier - Angers, France
Eric Alladayé - Angers, France
Maria José Perales, Proyeccionista - Madrid, ESPAÑA
Kishore Thakersee, 8/16mm projectionist - Durban.Shallcross, South Africa

Thank you team.I'm interested in connecting with like minded people from this 8/16/35 film fields.I've had brief training Kinoton at Kine600_(@Ster-Kinekor cinema chain)until the cinema changed to digital video projection that left me redundant.Nevertheless I wish to learn more about celluloid projection.Please reply

Antoine Dupont - Angers, France

Double postes en Permutation !!!

Martin Chateauvert, CinéMartin - MONTRÉAL, Canada

Reparation et restauration de projecteur touts format specialité : EikiFabrication et location de Looper 16mm

Larisa Zimmerman - Portland, USA
Arika Oglesbee, Head Projectionist - Portland, United States
Chloé Blondeau, Videodrome 2 - Marseille, France
Yoshito Ishii, Cinematographer Kyoto - Kyoto, Japan
Sheryl Smith - Rochester, United States
Campbell, Pre-digital - Melbourne, Australia

I am interested in all aspects of film projection and restoration

Dennis Fung - Hong Kong, Hong Kong
Ross Campbell - Melbourne, Australia

I operated two 35mm projectors with carbon arc illumination. Two great experiences: attending the Nitrate Film Festival at George Eastman House in 2016 and the UCLA Restoration Festival in Los Angeles in 2019.

Charles Gachot - Paris, France
Mary Lewandowski - Rochester, USA
Daniel Dubuisson - Paris, France
DOP & Film technicians (46)  
Céline Bozon, directrice de la photographie - Paris, France
Yann Dedet, monteur - Paris, France

Ce n'est pas que c'était mieux avant, c'est que c'était plus vivant,  : - Un cadre qui bouge légèrement, de haut en bas, de droite à gauche, voire d'avant en arrière, un certain frémissement de la matière vivante,  la respiration de la pellicule dans le couloir du projecteur au lieu de la raideur mathématique et comme abstraite, de la forme strictement immobile, figée. - La matière de l'image douce comme le point photographique rond, au lieu de la définition pixelisée, raide, du point carré,  carré comme une vision du monde eugéniste, qui se targuerait de perfection formelle plutôt

Jean-Marie Dreujou, AFC - directeur de la photographie - Paris, France
Thomas Favel, directeur de la photographie - Saint-Ouen, France
Jean-René Failliot, fondateur du défunt laboratoire 16, 35 et 70mm Arane - Gulliver - France
Laura Major, film timing, Colorlab - Rockville, MD, USA
Alexandre Léglise, directeur de la photographie - Paris, France
Pukyo Ruiz De Somorcucio, directeur de la photographie - Paris, France
Vincent Villa, ingénieur du son - Vibeuf, France
Roy H. Wagner, ASC - Director of Photography - Hollywood, USA
Johan Carrasco - Lima, Peru
Claire Childeric, directrice de la photographie - Montreuil, France
Diana Vidrascu - Paris, France
Delphine Menoret, directrice de la photographie - Marseille , France

https://delfinakino.wordpress.com/2015/12/15/une-recherche/ Sur la nature intrinsèque et la perception de l'image argentique.

Nami Cagani, INA - Bry/Marne, France
Etienne Carton de Grammont, directeur de la photographie - Bruxelles, Belgique
Magali Marc, étalonneuse, Synaps Collectif Audiovisuel - Arcueil, France
Jay Young, Cinematographer - Lexington, United States
Edward Koehler, EkoeCamera - London, England

Thank you. https://www.facebook.com/EkoeCameraLensRepair/

Fiona Braillon, directrice de la photographie - Paris, France
Paulo Costa, Gérant du laboratoire DAEMS - Marboué, France

Restauration Physique des pellicules de cinéma. http://www.laboratoiredaems.fr/

Matyas Erdely, HSC - Director of Photography - Budapest, Hungary
Ariane Mellet, ingénieure du son - Paris, France
Fred Piet, monteur - Paris, France
Nicolas Lebecque - Paris, France
Philipp Von Lucke, Director Of Photography - Munich, Allemagne
Sabina Dogic, Director of Photography and filmmaker - Ljubljana, Slovenia
Richard Andry, AFC, directeur de la photographie - Paris, France
Nathalie Durand, AFC, directrice de la photographie - Paris, France
Vikram Joglekar - Mumbai, India
Julie Allain - Montreuil, France
Pascal Heuillard, STUDIO L'EQUIPE - Bruxelles, Belgique
Xavier Lesage - Lille, France
Simon Beaufils - Paris, France
Alexander Bscheidl - Paris, France
Denoël Riche - Here, and there
Pierre Poënces - Rennes, France
Sébastien Buchmann - Paris, France
Jean-Michel Beranger - Bruxelles, Belgique
Daniel Pereira De Abreu, Directeur général du laboratoire Arane Gulliver - Montevrain, France
Bernardo Hernandez, diseñador grafico - Mexico city, Mexico
Alberte Branco, AEC - Santiago de Compostela, Galiza
Manuel Onetti - Sevilla, España
Alice Demasure - Tournai, Belgique
Rita Santin, Scripte - Bruxelles, Belgique
Mathilde Bernet, monteuse - Bruxelles, Belgique
Critics & Writers about film (26)  
Guillaume Basquin - Paris, France
Georges Didi-Huberman - Paris, France
Marie-José Mondzain - Paris, France
Molly Mankelow, Amateur film reviewer - Luton, UK
Vangelis Makriyannakis - Edinburgh, United Kingdom
Bob Mankelow, Amateur film critic - Luton, UK

Love film - real reels of film!

Pierre-Louis Rivière, École Supérieure d'Art de La Réunion - Saint Paul, Ile de La Réunion
Miguel Armas - Paris, France
Fernando Villaverde - Madrid, España
Diego Salgado - Madrid, España
Quentin Papapietro - Paris, France
Paula Arantzazu Ruiz - Madrid , Espagne
Inês Moreira Santos - Lisbon, Portugal

http://hojeviviumfilme.blogspot.com

Lukas Foerster - Berlin, Germany
Miha Veingerl - Vienna, Austria
Pablo Gonçalo Pires de Campos Martins, Critic and Professor - Brasília, Brazil
Ivana Miloš - Rijeka, Croatia
Jan-Franc Escrihuela-Niubô - Barcelone, Catalogne-Espagne
Ejla Kovačević - Zagreb, Croatia
Bernard Eisenschitz - Paris, France
Laura Del Moral - Lisboa, Portugal
Mónica Delgado, Desistfilm - Lima, Perú
Steven Sampson, En attendant Nadeau - Paris, France
Jean-Michel Frodon - Paris, France
Gilbert Bourson, Association Vigo pour tous - Gennevilliers, France
Jean-Pierre Bobillot - Grenoble, France
Academics & Teachers of film (41)  
Christa Blümlinger, Université Paris 8 Vincennes-Saint-Denis - Paris, France
André Habib, Université de Montréal - Montréal, QC, Canada
Anthea Kennedy, South Thames College - London, United Kingdom
Damien Marguet, Paris III - Paris, France
David Rodowick, University. of Chicago - Chicago, IL, USA
Scott MacDonald, Professor of Film History, Art History Department, Hamilton College - Clinton, NY, USA
Monise Nicodemos, Paris III - Paris, France
Eric Thouvenel, Maître de conférences en études cinématographiques, Rennes II - Rennes, France
Jason Halprin, Professor & Filmmaker, City College of San Francisco - Oakland, United States
Pedro Lã - Lisboa, Portugal
Josetxo Cerdán - Madrid, Spain
Monique Peyriere - Paris, France
Charlie Hewison - Paris, France
Eric Prince - Montréal, Canada
Ana Aitana Fernández - Barcelona, España
Vincent Deville, Maître de conférences en histoire et esthétique du cinéma, Université Paul-Valéry Montpellier - Montpellier, France
Ignacio Benedeti Corzo - La Coruña, España

La tecnología mecano química es cine; lo digital, es otra cosa

Ghislaine Lassiaz , Conférencière en cinéma - Paris, France
Prof. Erkan Umut - Istanbul, Turkey

https://eishaki.wordpress.com/

Nuffer Eberhard, Film Editor, Associate Lecturer, Film Collector - Stuttgart, Germany

No chance to replace the charme of a rattling movie projector with spinning reels and the colours of an analogue film print with sterile digital pictures full of artifacts. "Real" film projection must go on!

Karine Abadie, Memorial University of Newfoundland - St-John's, Canada
Daniel Wiegand, Film historian - Stockholm, Sweden
Emmanuel Martin-Jean - Montreal, Canada
Johannes Bennke , Bauhaus University Weimar - Weimar, Germany

Keep the great work going!

Christophe Gauthier, Ecole nationale des chartes - Paris, France
Ani Maitra - Hamilton, NY, USA
France Langlois, Université de Montreal - Montreal, Canada
Florence Rochat, Cinémathèque Française - Paris, France
Dimitri Vezyroglou, Université Paris 1 Panthéon-Sorbonne - Paris, France
Benoît Turquety, Université de Lausanne - Lausanne, Suisse
Dipl.-Medienwirt Christoph Götz, Media scholar focussed on German film, radio and television history and analysis. - Siegen/Frankfurt, Germany

The aesthetics of photochemical film is unique and amazing. That's why its visual power - wheter it is based on 8, 9.5, 16, 35 or 70mm - will keep its magic also and especially in times of digital ubiquity. Eventually, film perforations do not simply represent a technical process. They rather serve as the DNA of motion pictures at all.

Angelica Rodriguez, Artista visual - Bogota, D.C., Colombia
Patrick de Haas - Paris, France
Steve Mitchell - London, UK
Gabriele Jutz, University of Applied Arts Vienna - Vienna, Austria
Olivier Rachet - Casablanca, Maroc

L'avenir d'une invention.

Emile Shemilt - Glasgow, Scotland
Xose Prieto Souto - Madrid, España
Shira Segal, Director of Film Studies at UAlbany - Albany, NY, US
Isil Karatas - Wien, Austria
Marie Frappat, Université de Paris - Paris, France
Art & Film students (38)  
Valentin Lebeau - Saint-Sever, France
Iordanis Theodosiadis - Thessaloniki, Greece

Digital is cool, but film projection is a totally different experience.

Clara Martín Villas - Barcelona, España
Mahaut Thebault - Rennes, France
Julie Lanoix - Limoges, France
Victor Grusha - Bengaluru, India
Celso Rosa - Barreiro, Portugal
Isil Karatas - Berlin, Germany
Jean-Baptiste Perrin, Institut des Arts de Diffusion - Bruxelles, Belgique
Thomas Chetanian - Romans-sur-Isère, France
Benjamin Pires - Bordeaux, France
Ilse van der Spoel - Amsterdam, the Netherlands
Nicolas Charpentier - Pertuis, France
Sidonie Staples - Strasbourg, France
Cassandre Marie Valfort - Paris, France
Ruben van den Belt - Hamburg, Germany
johanna le flochmoen - Toulouse, France

dès plus essentiel...

Nora García - Madrid, España
Eva Rodríguez Calvar - Cangas do Morrazo, ESPAÑA
Laia Nadal - Barcelona, Spain
Sofia Pires - Lisbon / Amsterdam / Berlin, Portugal
Ioannis Vougioukas - Rotterdam, Netherlands
Selenia Pic - Paris, France
Camille Viala - Lyon, France
Florian Höhensteiger - Berlin, Germany
Zoé Rogez - Toulouse, France
Gérémy Lelièvre - Nantes, France
Mathieu Guilloux - Paris, France
Louisa Fourage - Marseille, France
Clémence Arrivé, Université Paris 8 - Paris, France
Juan Peters Desteract - Buenos Aires, Argentine
John Richter - Portland, OR., USA
Antoine Pirotte, La Fémis - Saint-Ouen, France
Filipa Alves - Porto, Portugal
Élise Guérard, Cinémathèque Robert Lynen - Paris, France
Corry Satre, Écran Nomade - 3is - Paris, France

Bon courage !

Megan Brailey - Berlin, Germany

I use analogue photography and am looking at making analogue films with physical manipulations, but would like to learn more. I am also working in curation and focusing on archival researching

Ugo Gerardi - Marseille, France
Film collectors (19)  
Martin Bradley - Derry, N Ireland
Bon Hambley - London, UK
Mats Abelli, collect 8mm, Super8mm, 16mm and 35mm - Nättraby, Sweden
Michel Gasqui, Cinémathèque du Cinéma Amateur - Soissons, France
Clinton Hunt - Waharoa, New Zealand

Keep film projecting alive as much as possible.

Serge Gontier, cinéaste amateur et collectionneur de films - La Ciotat, France

Il est très important de préserver la prise de vue et la projection sur film photochimique afin de transmettre une technique et un savoir qui ont fait leurs preuves.

Ray Aguilar - Nottinghamshire, England

i have worked in film industry for 50 years nothing beats film,have handled nitrate films in labs some 90years old still good,whats too say digital will last that long .

Bernhard Marsch, Filmmaker - Cologne, Germany

90% of our programm is analog (16mm + 35mm) !

Alexis Kouyoumdjian - Lyon, France

Résistance

François Renard - Saint Usuge, France
Gérard Faugeras, Collectionneur - 87170 Isle, France

Pour que vive le cinéma traditionnel, sources d'émotions, dans lequel les acteurs sont au centre du jeu. L'évolution de celui-ci avec les moyens modernes de production tend a devenir artificiel. Que vive le cinéma, source inépuisable d'intelligences,... avec le ronronnement du projecteur.

Frédéric Rolland - Chatillon, France

Il est fondamental de favoriser, tant que cela sera possible, le support d’origine argentique dans la diffusion d'un film. Trop d’établissements ont détruits les copies de circulations ou ne souhaitent pas sortir des copies en photochimique.

Francis Nardin - Quins, France
Elizabeth Velaise - Paris, France

Très heureuse de cette initiative, merci de me tenir informée.

Laurent Fontaine - Baillet en France, France

100% d'accord avec vous ! Il faut favoriser au maximum la projection argentique qui non seulement offre une merveilleuse image, mais est la base même de la projection cinéma ! Et surement pas cette cochonnerie de dcp ! ( pour ma part j'ai travaillé 16 ans au laboratoire Eclair, le 35 je connais ! )

Yves Seban - Verneuil en Halatte, France

Oui nous le savons les deux supports Argentique ou numérique avaient leur place avec leurs différences , ce fut le saccage du premier "le noble " intégrité de l'image vivante , imprimant dans nos mémoires quelquefois à vie ! Pensées aux artisans de nos rêves aujourd'hui laissés sur le chemin pôle emploi leur propose des emplois de chauffeurs de bus , de bouchers ...

Francois Cochin - Caen , France
Thomas Kramer, Collecting and restoring film projectors, mainly 9,5 and 16mm - Aalsmeer, Netherlands
Borgnes, Sidewalk Cinema - Edmonds, USA

Collect and screen 16mm, Super8, Regular 8mm film.

Producers (5)  
Marie Vachette - Paris, France
Shee Heng Kuek - Taipei, Taiwan
Pavan Deep Singh, Analogue Film Academy - Birmingham, England
Quélou Parente - Paris, France
Lysa Heurtier Manzanares, L'image d'après - Paris, France
Audience members and more (91)  
Petteri Kalliomaki - Finland

http://www.filmikulttuuri.fi/english

Veikko Suvanto, Film subtitler - Warsaw, Poland
Céline Bouteloup - Rennes, France
Christos Makrygiorgos, De Cour à Jardin - Paris, France
Hatim Benmeziane - San Francisco , Usa
William Olson, Amateur Film Historian and Film Transfer Technician - Dobbs Ferry, USA

Film is essential. Film is archival. Film is as viable as paint on canvas. Film defies the ravages of digital glitches, program errors and obsolete technology. Film is organic. Film is life.

Craig Janeway - Las Vegas, USA
Christian Walther - Nottuln/Appelhülsen, Germany
Samantha Joseph - London , UK
Lior Rosenblum - Alfortville, France
Diogo Silva - Lisboa, Portugal
Jim Stickel - Paris, France

because celluloid is skin.

Aude Modet Tournoux - Asnières-sur-Seine, France
Robin Flatt Homa - Greeley, USA

I enjoy using film as opposed to digital, collect films. and support the continued production and use of film. Film is a treasure that must be preserved

Suno Sarrau, Association Ciné Pelloche - Minerve, France
Francisco Miguel Dominguez Ojeda - Las Palmas De Gran Canaria, España
Hélène Stiefel - Paris, France
Pierre Grimal - Banassac, France
Jedrzej Zagorski - Paris, France
Laurent Tenzer - Brussels, Belgium
Rita Garcia - Porto, Portugal
Nu Paradox - Bangalore , India
Samuel Bréan - Paris, France
Claude Roullet - Chens sur Léman, France
Carl Martin - Oakland, United States

"and more" includes filmmaker / artist using film film programmer / curator projectionist critic / writer about film / film collector

Sabine Costa - Romainville, France
Vincent Guyot - Asnières, France
Juan Izquierdo Alzuyed - Pamplona, Espana
Didier Serenque - Toulouse, France
J-Patrick Herbeth - Saint-Ouen, France
Arnaud Benoist - Le Mans, France

Je filme en Super 8 (développement assuré par mes soins, grâce au laboratoire MIRE de Nantes). Et j'ai un vrai plaisir à voir des films en 35 mm, contrairement au cinéma numérique.

Laurenz Schreiber - Linz, Austria
Véronique Letournou - Le Mans, France
Chantal Basquin - Ciboure, Pyrénées Atlantiques, France

Pour contribuer à votre belle et indispensable tentative de sauvetage de la projection-Lumière des films, maintenant et dans l'avenir.

Jérome Doublet - Lyon, France
Charlotte Giappiconi - Paris, France

Je veux continuer à voir des films en salle !

Dimitris Triantopoulos - New York, USA
Valérie Assoumou-Gaumé - Saint-Cyr-sur-Loire, France
Catherine Carpentier - Paris, France
Céline Bellanger - Marseille, france
David Asenjo Conde - Madrid, Espagne
Eric Gouzannet, Formation direction d'exploitation Femis - Rennes, France
Emna Essid Villez - Nancy , France
Ismaël Louati - Tunis, Tunisie
Fanny Gadan - Paris, France

Je signe cette charte pour ce souvenir d'il y a neuf ans, ma première projection pellicule au cinéma à l'Accattone rue de Cujas. "Les milles et une nuit" de Pasolini, les arrêts entre les bobines, la texture de l'image, exote de chaque vingt-cinquième de seconde à retrouver absolument. Je signe cette charte et espère qu'un mouvement conséquent s'en suivra, pour que vive encore le "cinématographe".

Gerard Tierney - London, UK
Perrine Rouillon, dessinatrice - Paris , France
André Scala - Mirabeau, France
Eszter Kondor - Vienna, Austria
Guillaume Laurent - Rouen, France
Leïla Gharbi - Paris , France
Meritxell Tor - Barcelona, Catalunya
Ousmane Ndiaye, Journaliste - Paris, France
Philippe Arjo - Paris, France
Arantxa Eseberri - Elbete-Baztan, España
Cathy Defay - Nantes, France
Anne Criton - Nantes, France
Jose Sanchez-Dehesa, profesor universidad. Universitat Politecnica de Valencia - Valencia, España
Luc Barthelemy - Villiers sur Orge, France
Marcos Ortega, Experimental Cinema - Madrid, España
Alejandro Terol Baldó - Alcoy, España
María José Crespo, Visual artist - Tijuana, México
Ismael García, diseñador - Santa Cruz de Tenerife, España
Juan Alfonso Serrano Rojo - Alcalá de Henares, España
Ciprian Dobra - Alcalá de Henares, España
Rafael Gómez - Badalona , España
Alejandra Franch - Zaragoza, España
Rafael Gomez - Madrid, Spain
Ruben Santiago - Bilbao, España
Vicky Sung - London, United Kingdom
Christelle Nicolas - Mirabeau, France
Claudia Callado - Alicante, España
Ines Bajo - Madrid, Espaňa
Christelle Mercier - Paris, France
Charles Morillon - Paris, France
Anouk Jevtic, Artiste peintre/Conservation-restauration de peintures - Paris, France
Lucie Leszez - Paris, France
Alberto Brealey-Guzman - London, United Kingdom
Marc Basquin, Retraité - Ciboure 64500, France

Bravo pour cette initiative que j'approuve totalement!

Nelly Metivier - Tournefeuille, France
Elena Tsouri - Avignon , France
Damien Briançon - Dijon, France
Alexandre Lamoureux - ANGERS, France
Slade - Sharpsburg , USA
AB Lambrecht - Ivry-sur-Seine, France

La pellicule, c'est important.

Schneider Jean-François - Paris, France
Mathilde Pataille - Dijon, France
Pierre Ballet - Bourg-La-Reine , France
Gérard Decrouzol, Artist - Paris, France

https://www.facebook.com/gerard.decrouzol/

Isabelle Rebollo - Bordeaux, France
Tammy Forsythe - Montreal, Canada

Encore vivant!