‘Navigators’ Released on 35mm in France
Noah Teichner’s feature-length essay film Navigators, which premiered on 35mm at the festival Cinéma du Réel in 2022, was released […]
Navire Argo Project Will Include a Film Collection and a Cinema
The French collective of filmmakers known as L’Abominable is currently working on setting up its artist-run film lab in the […]
“Celluloid Now” festival opening soon
September 15th will be the opening day of the first edition of Celluloid Now in Chicago: four days of screenings, […]
filmprojection21.org es una iniciativa elaborada en torno al compromiso concreto que representa la Carta de la proyección cinematográfica en el siglo 21, reuniendo a aquellas y aquellos a quienes la proyección en soporte fotoquímico les importa.
Cineastas, artistas, productores, conservadores, distribuidores, programadores y público, involucrados en la red de los festivales, el mundo de los archivos, el arte contemporáneo, las salas independientes y dentro de todo tipo de producciones cinematográficas, desde la industria hasta el underground, afirmamos aquí la importancia de construir un futuro a la proyección fotoquímica y compartimos recursos en este sentido.
Helga Fanderl
“I love making films with a Super 8 camera, reacting to serendipitous discoveries and transferring experience and perception, atmosphere and […]
Barbara Sternberg
“Well, there are two phases: making and showing. Film and digital video are two different media and ideas come to […]
OJOBOCA
“We make prints because we believe that analog projection is a central element of the cinematic ritual as we understand […]
Viktoria Schmid
“Each projection of film is unique and lively. It is always an exciting moment when the projectionist is hopefully focusing […]
Alexandre Larose
“When it comes to projects that I shoot and (re)work on film, I make photochemical prints – first of all, […]
Antoinette Zwirchmayr
“I think it’s about a feeling. In the digital space our feelings are getting more and more lost. Analog film […]
Nathaniel Dorsky
“My films only exist as 16mm film prints and are available to the public for rental at Canyon Cinema in […]
Ted Fendt
“I began making films just as film projection began to wane and digital projection became omnipresent. I remember at that […]
Rosa Barba
“When you work with analogue film there are limitations that force you into making decisions. I found out there is […]
Stanley Schtinter
“Digital projection is to film what the postcard reproduction is to painting. It is the Van Gogh calendar. It is […]